Moses Hightower from Police Academy
Showing posts with label Retrojunk. Show all posts
Showing posts with label Retrojunk. Show all posts
Sky-Crapper
Outtakes and Oscar clips from one of Anna Nicole Smiths classic movies digitized from an umpteenth generation VHS tape. The fact that this movie was completed within a decade is amazing, since Anna Nicole was unable to even recite her lines immediately after hearing them read to her. Special thanks to Paul F. Tompkins and whomever originally compiled this montage. R.I.P. Vickie Lynn Hogan.
The Sore Losers (1997)
Blackie, an alien from the Lo-Fi Frequency Dimension, returns to Earth. In 1954, he was sent to Earth and allowed to kill twelve people but was imprisoned after exceeding the number. If he can kill three more now, he can earn the right to go home. Driving to Memphis, he picks up his old friend, the psychotic comic-book fan Mike Maker, as well as Kerine, just released from jail and having discovered the pleasure of killing hippies. Kerine kills her parents but Blackie learns that her murders will count as his own unless he kills someone of The Elder’s choosing. The Elder chooses Mike’s girlfriend, the country-fair motorcycle-lifting amazon Goliatha, D’lana Tunnell. As Mike plans to kill her, D’lana is sentenced to the electric chair for murder. Further problems are caused by the pursuing Asian Men in Black, an angel, and an out-of-control Kerine who is threatening to bump the number of victims up further.
Memphis-based filmmaker John Michael McCarthy makes cod-1950s exploitation films. His earlier works included the likes of Damselvis, Daughter of Helvis (1994) and Teenage Tupelo (1995). They are films filled with McCarthy’s love of rock‘n’roll and garage bands, horror comics, juvenile delinquent cinema and bimbos of ambiguous gender. McCarthy’s films are also totally gonzo experiences. A clear hero of McCarthy’s is Russ Meyer and his world of trashy softcore exploitation delivered in a mockingly campy tongue-in-cheek tone.
The Sore Losers is a film that boggles the mind in trying to come up with an adequate description. One supposes they could aliken it to a remake of Natural Born Killers (1994) as by Russ Meyer. The plot is almost indescribable and never something that happens in a particularly linear or coherent line. Not that that particularly matters. This is a film that has a little of everything, almost as though McCarthy is trying to see how many Psychotronic audience niches he can appeal to at the same time – UFOs, juvenile delinquent spree killers, topless women, rock‘n’roll, comic books, zombies, motorcycles, rednecks, Asian Men in Black, hippie killings, ambiguous angels, Women in Prison, lesbian sex, catfights that take place in an electric chair, strippers, and some hilariously surreal deadpan dialogue. What more could any good lover of exploitation cinema ask for? This is a film that feels like one is channel-surfing among a dozen exploitation theatres all at once – while stoned.
McCarthy recruits most of his cast from various garage bands – the Men in Black are played by a Japanese punk band Guitar Wolf, for instance. The alien Elder is played by no less than famed 1960s exploitation producer David F. Friedman. In the central role, Jack Oblivian, who looks like a crosshatch of Beck and a rawer, rougher Elvis, has a wonderfully brash anti-authoritarianism. Although the one who steals the show is Kerine Elkins. With her pudgy build, scarlet red dyed hair, trash makeup, black vinyl bodysuit and mean-attitude, a seeming combination of Divine and Shirley Stohler from The Honeymoon Killers (1970), she has a truly scary presence in the film. One is certain – put her up against Juliette Lewis who essayed the equivalent role in Natural Born Killers, and you could bet that she would tear Juliette’s throat out hands down. J. Michael McCarthy later went onto make the equally gonzo post-holocaust film Superstarlet A.D. (2000) and Cigarette Girl (2009) about a smoking female serial killer in a future where smoking is ostracised.
Download links:
Download 1/4
Download 2/4
Download 3/4
Download 4/4
Soundtrack
1. Tim Kearne - Blackie Is an Immortal... 1:15
2. Jack Taylor Experience - The Sore Losers 1:52
3. The Makers - Modern Day Freak 2:35
4. Guitar Wolf - Invader Ace 3:09
5. Mick Collins - Hoodlum, A.D. 3:18
6. Daphne Diaphanous - Guntown 1:29
7. Tim Feleppa - Knockturne 2:00
8. Poll Sci Clone - Alien Brains 2:58
9. Tim Kearne - Mike Was Always Fond of Mayhem... 1:01
10. '68 Comeback - Funky Kuntry Capers 2:36
11. Nick Diablo - Gotta Let Your Spirit Ride 3:14
12. '68 Comeback - '68 2:12
13. The Royal Pendeltons - No Teasin' Round 3:02
14. Mick Collins - Bump & Grind 2:06
15. Jack Oblivian - Vice Party 2:49
16. Tim Kearne - Kerine Loved To Bang... 1:09
17. Cris Clarity - Solar Prime 1:08
18. Cris Clarity - Rock N' Roll Band 3:45
19. Jack Oblivian - Spi-Fi (Subsonic) 1:05
20. '68 Comeback - Smack Dab (In the Middle) 2:12
21. The Drags - Shovel Fight 1:02
22. Los Diablos del Sol - Wild Sound 3:02
23. Gasoline - African Cowboy 3:17
24. Jack Oblivian - Bad Man 2:35
25. Tim Kearne - D'lana Is... Was... 1:08
26. '68 Comeback - Go Go Goliatha 2:58
27. The Drags - Suicide Wipers 1:39
28. The Makers - Time of Day 1:57
29. The Royal Pendeltons - (I'm a) Sore Loser 2:22
30. Mick Collins - GarageFather 0:29
VBR mp3
Thx to Punks Make Your Day
Memphis-based filmmaker John Michael McCarthy makes cod-1950s exploitation films. His earlier works included the likes of Damselvis, Daughter of Helvis (1994) and Teenage Tupelo (1995). They are films filled with McCarthy’s love of rock‘n’roll and garage bands, horror comics, juvenile delinquent cinema and bimbos of ambiguous gender. McCarthy’s films are also totally gonzo experiences. A clear hero of McCarthy’s is Russ Meyer and his world of trashy softcore exploitation delivered in a mockingly campy tongue-in-cheek tone.
The Sore Losers is a film that boggles the mind in trying to come up with an adequate description. One supposes they could aliken it to a remake of Natural Born Killers (1994) as by Russ Meyer. The plot is almost indescribable and never something that happens in a particularly linear or coherent line. Not that that particularly matters. This is a film that has a little of everything, almost as though McCarthy is trying to see how many Psychotronic audience niches he can appeal to at the same time – UFOs, juvenile delinquent spree killers, topless women, rock‘n’roll, comic books, zombies, motorcycles, rednecks, Asian Men in Black, hippie killings, ambiguous angels, Women in Prison, lesbian sex, catfights that take place in an electric chair, strippers, and some hilariously surreal deadpan dialogue. What more could any good lover of exploitation cinema ask for? This is a film that feels like one is channel-surfing among a dozen exploitation theatres all at once – while stoned.
McCarthy recruits most of his cast from various garage bands – the Men in Black are played by a Japanese punk band Guitar Wolf, for instance. The alien Elder is played by no less than famed 1960s exploitation producer David F. Friedman. In the central role, Jack Oblivian, who looks like a crosshatch of Beck and a rawer, rougher Elvis, has a wonderfully brash anti-authoritarianism. Although the one who steals the show is Kerine Elkins. With her pudgy build, scarlet red dyed hair, trash makeup, black vinyl bodysuit and mean-attitude, a seeming combination of Divine and Shirley Stohler from The Honeymoon Killers (1970), she has a truly scary presence in the film. One is certain – put her up against Juliette Lewis who essayed the equivalent role in Natural Born Killers, and you could bet that she would tear Juliette’s throat out hands down. J. Michael McCarthy later went onto make the equally gonzo post-holocaust film Superstarlet A.D. (2000) and Cigarette Girl (2009) about a smoking female serial killer in a future where smoking is ostracised.
Download links:
Download 1/4
Download 2/4
Download 3/4
Download 4/4
Soundtrack
2. Jack Taylor Experience - The Sore Losers 1:52
3. The Makers - Modern Day Freak 2:35
4. Guitar Wolf - Invader Ace 3:09
5. Mick Collins - Hoodlum, A.D. 3:18
6. Daphne Diaphanous - Guntown 1:29
7. Tim Feleppa - Knockturne 2:00
8. Poll Sci Clone - Alien Brains 2:58
9. Tim Kearne - Mike Was Always Fond of Mayhem... 1:01
10. '68 Comeback - Funky Kuntry Capers 2:36
11. Nick Diablo - Gotta Let Your Spirit Ride 3:14
12. '68 Comeback - '68 2:12
13. The Royal Pendeltons - No Teasin' Round 3:02
14. Mick Collins - Bump & Grind 2:06
15. Jack Oblivian - Vice Party 2:49
16. Tim Kearne - Kerine Loved To Bang... 1:09
17. Cris Clarity - Solar Prime 1:08
18. Cris Clarity - Rock N' Roll Band 3:45
19. Jack Oblivian - Spi-Fi (Subsonic) 1:05
20. '68 Comeback - Smack Dab (In the Middle) 2:12
21. The Drags - Shovel Fight 1:02
22. Los Diablos del Sol - Wild Sound 3:02
23. Gasoline - African Cowboy 3:17
24. Jack Oblivian - Bad Man 2:35
25. Tim Kearne - D'lana Is... Was... 1:08
26. '68 Comeback - Go Go Goliatha 2:58
27. The Drags - Suicide Wipers 1:39
28. The Makers - Time of Day 1:57
29. The Royal Pendeltons - (I'm a) Sore Loser 2:22
30. Mick Collins - GarageFather 0:29
VBR mp3
Thx to Punks Make Your Day
Pan's People in Concert (1974)
Various dance routines and musical numbers performed by Britain's most popular dancing troupe and choreographed by former member Flick Colby.
Between 1970 and 1976 this BBC2 programme showcased top class musical acts in what was the ‘MTV Unplugged’ of its day. Elton John, Cliff Richard, David Essex and The Kinks all appeared at one time or another. On 17 April 1974, viewers were treated to 35 minutes of non-stop Pan’s People, including an infamous set with Louise and Dee Dee dancing on cushions wearing very little indeed. This routine is shown today on virtually all Pan’s People retrospectives. In a 1994 documentary Louise said that these skimpy little outfits were actually one of the most expensive costumes ever made for the group.
DOWNLOAD
RIP Louise Clarke
Between 1970 and 1976 this BBC2 programme showcased top class musical acts in what was the ‘MTV Unplugged’ of its day. Elton John, Cliff Richard, David Essex and The Kinks all appeared at one time or another. On 17 April 1974, viewers were treated to 35 minutes of non-stop Pan’s People, including an infamous set with Louise and Dee Dee dancing on cushions wearing very little indeed. This routine is shown today on virtually all Pan’s People retrospectives. In a 1994 documentary Louise said that these skimpy little outfits were actually one of the most expensive costumes ever made for the group.
DOWNLOAD
RIP Louise Clarke
Labels:
Film,
Music Video,
Retrojunk
Mr. Horatio Knibbles (1971)
Taking it’s cue from the James Stewart-starring masterpiece Harvey, here we have the cult 1971 Childrens Film Foundation film Mr. Horatio Knibbles which tells the tale of a large creepy looking rabbit (dressed in fine gentlemen attire!) who can only be seen by a young girl. Starring Lesley Roach, Gary Smith, Anthony Shepherd and the late, great David Lodge (an always welcome face in any British comedy production), amongst others. The screenplay was co-written by Peter Blackmore who was also involved in writing all three Morecambe & Wise movies. Look out for an appearance by Roy Barraclough – best known for his work with Les Dawson and as Coronation Street‘s Alec Gilroy.
The plot: Charming tale about a large white rabbit who can only be seen by a young girl. The young girl tries to convince her friends and family he really exists but until they are believers he won’t reveal himself to them.
I’m going to give a shout out here to “KempyClassic” who originally posted this on Demonoid and very kindly seeded this rarity when I requested it. Cheers!
Mr. Horatio Knibbles 1971
XVID
Approx. 56 mins
1.36 GB
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
Download all 15 parts to unrar.
Abducted by the Daleks (2005)
..at least there's a Pink Floyd music *)
After watching the movie, all the way through, it's never entirely clear to me exactly why the Daleks want to capture healthy human women in stripper heels in the first place. They make a huge show of "interrogating" the women, but never actually ask any questions. It's also not clear if they want to mate with these women — which would be quite out of character for the Daleks, who are obsessed with racial purity on Doctor Who. Even when they finally accept human DNA, only one cell in a billion is worthy of cultivation.
Abducted starts with three women picking up a fourth (who's really a Dalek agent) and then as they're driving down the street, they run over a super-fake looking alien and their car is wrecked. Even though there's a woman-skinning serial killer at large, the four women wander off into the forest, split up and then decide to remove their clothes randomly. And that's when the Daleks grab them with their teleportation device. I love the fact that the women don't notice they've been teleported to an alien spaceship and are surrounded by Daleks, until one Dalek makes a throat-clearing noise.
The interrogation doesn't go very well, so first the Daleks bring in their sexy human agent, who dresses up like a dominatrix and threatens the women with a big bullwhip. And then the Daleks set their ray guns on vibrate and train them on the women...
download or 1 2 3 4 or torrent
The Ross Sisters
The Ross Sisters were a trio of female sibling singing dancers consisting of Aggie Ross, Elmira Ross, and Maggie Ross (whose real names were Veda Victoria, Dixie Jewel and Betsy Ann Ross). The Ross Sisters performed as a 3-part harmony trio wherein they also danced and did acrobatics and contortionism. Their public attention peaked during the 1940s, during which they were featured prominently in the film Broadway Rhythm. This footage has since gained popularity on YouTube. This clip also appears in the compilation film That's Entertainment! III (1994).
The Ross Sisters were born in West Texas, to Charles Adolphus and Veda Cordelia Ross. Shortly after they made "Broadway Rhythm," they moved to Europe where they appeared in "Piccadilly Hayride," a post-war London stage revue that ran from 1946 to 1948. They also recorded "Five Minutes More," a song later covered by Frank Sinatra.
The Ross Sisters were born in West Texas, to Charles Adolphus and Veda Cordelia Ross. Shortly after they made "Broadway Rhythm," they moved to Europe where they appeared in "Piccadilly Hayride," a post-war London stage revue that ran from 1946 to 1948. They also recorded "Five Minutes More," a song later covered by Frank Sinatra.
Hit IT !!!
It's 106 miles to Chicago, we got a full tank of gas, half a pack of cigarettes, it's dark, and we're wearing sunglasses...
Hit it!!!
Michael Berryman
Michael John Berryman (born September 4, 1948) is an American actor. He is famous for having a distinctive physical appearance, the result of Hypohidrotic Ectodermal Dysplasia, a rare genetic condition which prevents him from developing hair, sweat glands or fingernails. By his own admission, in an interview for the DVD release of The Hills Have Eyes, he was born with "twenty-six birth defects". He has appeared in several horror movies and other B movies.
Raquel Welch crucified!
If you’re a wrestling fan, you’ll remember a couple of years back when The Undertaker crucified Stone Cold Steve Austin on his devilish symbol… and this caused quite a stir, the segment actually being edited out on Canadian television! Now imagine being back in 1966 and witness the following image by photographer Terry O’Neill, where Raquel Welch was on the verge of stardom for her role in One Million Years BC. O’Neill claimed that this piece was a reflection on the ideal of womanhood of the time, as women were valued only for their sexuality. Fans probably didn’t care for the deep thought… but controversy brewed nevertheless. As you can guess, the real official poster presented a less provocative Raquel pose… but still sexy.
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