Jim Morrison 's HWY: An American Pastoral



Like the man himself, HWY: An American Pastoral is complex and mysterious. He hits the road like Kerouac, wandering, searching for meaning. Morrison's Mustang Cobra cruises the highways of a forgotten America, the unknown lurking behind every rock edifice and cactus that dots his journey. He's almost like Caine in Kung-Fu, except the Asian landscape is now America. Jim Morrison is on the spiritual warpath. To see the mind of the poet at work without his bandmates is a rare gift. Jim and The Doors are/were inseperable, but this little magna carta on freedom shows us his solitary genius and glorious madness. The soundtrack is eerie, unsettling, not quite right. But considering the artist at the heart of the film, I'm not surprised. HWY is very special. Every frame reminds the viewer that there was a man in the late 60's of immense power who dared to search for the unknown, who attempted to shake up America with words and images. He tried to tempt the gods as it were, like Loki, a man on a mission. An American Pastoral is proof.

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Return of The Street Fighter (1974)


Satsujin Ken 2

After attracting notoriety at movie theaters around the world (along with plenty of profits) with the brutal kung-fu hit The Street Fighter, the character of Terry Tsugury (Chiba) was quickly revived for Return of the Street Fighter. This time, Tsugury is hired by Japanese mobster Otaguru (Tanaka) to kill a pair of captured employees so they cannot inform on his activities (he has teamed with the American mafia under the guise of building a martial arts center). When Otaguru orders Tsugury to kill his old friend Masoaka (Suzuki), Tsugury refuses and is forced to go on the run with. To make matters worse, Junjo (Ishibashi), Tsugury's old nemesis, has reappeared and set his sights on revenge. Tsugury takes a vicious beating from Junjo, but recovers in time to punch, kick, and gouge his way through everyone who has crossed him during the finale. Although critics considered it to be little more than a hyper-violent cartoon, Return of the Street Fighter found favor with action fans who loved the first installment and its success inspired another sequel, The Streetfighter's Last Revenge.

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Easy Rider OST


01. The Pusher - Steppenwolf
02. Born To Be Wild - Steppenwolf
03. The Weight - Smith
04. Wasn't Born To Follow - The Byrds
05. If You Want To Be A Bird - The Holy Modal Rounders
06. Don't Bogart Me (Don't Bogart That Joint) - Fraternity Of Man
07. If Six Was Nine - The Jimi Hendrix Experience
08. Kyrie Eleison/Mardi Gras - The Electric Prunes
09. It's Alright Ma (I'm Only Bleeding) - Roger McGuinn
10. Ballad Of Easy Rider - Roger McGuinn

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"You know I've smoked a lot of grass
O' Lord, I've popped a lot of pills
But I never touched nothin'
That my spirit could kill
You know, I've seen a lot of people walkin' 'round
With tombstones in their eyes
But the pusher don't care
Ah, if you live or if you die"

Rare Earth Discography


Rare Earth is an American rock band affiliated with Motown's Rare Earth record label (which was named after the band), who were particularly famous in the late 1960s and the 1970s. Although not the first white band signed to Motown, Rare Earth was the first big hit-making act signed by Motown that consisted only of white members, although a Chicano percussionist later joined the group.

1968 - Dreams/Answers
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1969 - Get Ready
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1970 - Ecology
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1971 - One World
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1972 - Rare Earth in Concert
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1972 - Willie Remembers
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1973 - Ma
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1976 - Midnight Lady
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1978 - Band Together
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1989 - Made In Switzerland
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1991 - Greatest Hits & Rare Classics
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1993 - LaSalle Park, Buffalo
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